My immediate reaction to this issue, is that it is the best one this far.

Because while it lacks those “OMIGAWD!1 IT’S HER/HIM/IT/THEM!!!1″ moments, it was a beautiful and sad story, with elegant pathos and an endearing main character whose name we never even learn.

Quite a treat; if all the “short ones” they intend to stick in between the longer arcs are as good as this, I do believe the Whedonites of the world are about to be spoiled again.

It will be interesting, I think, to see how Vaughn does in his attempt to jump after Wirkola.

(Who, by the way, should be immeasureably grateful for being used as a metaphor for Master Joss.)