It’s as good as the first couple of episodes of Angel, possibly better, with some interesting characters (Jason Dohring’s Josef Konstantin’s a favourite), a sound mythology (excepting a bit of inconsistency what concerns shadows and reflections and the like), and a few moral semi-ambiguities. It’s more pure noir, though, and the dialogue isn’t as sharp as Angel’s, but let’s face it: hardly anything has as good dialogue as Angel.

I think I’m gonna drop Journeyman like a bag of crap, and start watching this instead.